greek producer and electronic music activist echonomist has been releasing distinctive and quality house music for years now, on esteemed labels frances time has changed or his own co-run vip label. an infectious blend of deep house fused with techy modern production has landed the up and coming producer on steve bugs dessous imprint with this, his debut ep for the label, featuring the vocal talents of berlin based upstart mz. sunday luv. lead track >real love< comes in various forms, the original being a vintage styled classic house jam, infused with sundays truthful treatise about love in all its forms. echonomists solid beats, chicago bassline and dramatic snare rolls make this a real showstopper. the track is then revisited in a more east coast slow jam style, full of lovingly produced details and warm summertime synth goodness. flemish talent san soda reworks >real love< into a real late night burner, bringing in a more european electronic vibe with heavy bass and climbing dramatic synths. perfect for the floor and the heavier moments, it complements the originals more old school aesthetics perfectly.

after few months of research the rks duo is now ready for a new sound experience.
back in the day is the way and the house funky producers based in berlin are trying to do it compromiseless. >sunny moments< is a complete deep house raw track, the sweet voice that comes from the past works in a loveliness drum machine game with a synth that runs like the detroit school teaches!
>the dancer from san francisco< is a short funk gem that hits the brain and makes you move your feets, the samples play well, like the rks production wants!
>there was summer< is a detroit minded track, the pad play into an hypnotic synth game, a flight into space, a complete hi-tech experience.

3 years ago patrick & frederic started their marvelous career as kaiserdisco and made it to one of the most interesting acts in the global underground scene. they are not only a techno or minimal act, kaiserdisco is fascinating people all over the world cause they are producing music from lazy deep house to groovy techno, always with the right sense for the dancefloor. in the last years they remixed artists like booka shade, kosheen, extrawelt, sebastien leger, 2000 & one...., and had releases on legendary labels like drumcode, 100% pure, strictly rhythm, my best friend, global underground etc... and now it is time to start their own imprint. the first kd music release la famillia ep comes from kaiserdisco themselves. the a-side la benjamina is a typical kaiserdisco anthem. strong beats, groovy bass and a hypnotizing melody. you can feel it in every second of this track how much fun it was to produce this piece of music. especially the big break will make you go mad!! hija major on the b-side is a heavyweight techno layout. a massive rolling bassline catches you from the first second! the hole track reminds you of a fast rolling train packed full of wood. it rattles from first to last and when it falls into the breaks you can imagine it pushes the train even more and more and more...

s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

mule electronic welcome to our old friend andreas (aka swell session / statless / andreas saag). andreas is well known artist in nu jazz scene and have released many great stuff. recently he moved to berlin from goethenburg, sweden and into more electronic stuff. this time he teamed up with friend cazuma. cazuma released two single on berlin label kurbits records

with our ten year anniversary firmly behind us, dumb unit continues unabated into the future! the family has grown larger but our vision remains the same, to bring the world stimulating music for the dance-floor and beyond. this season, we present dumb unit dynasty, a special year- long focus on our tight-knit du family. in addition to our regular output, a number of special releases are planned. the first, dynasty ep 1 showcases 3 superb tracks by the dumb unit crew

like a slimer rising forth from the swamp neil landstrumm returns to germany once more with fresh new meat for the bbq. echoing his recent uk bass tracks on planet mu, landstrumm brings new styles and flavours to his favourite foreign country on the slidebar label. the music speaks for itself and your unlikely to hear anything else like this record the week of release, be brave, try something different. don t be a sheep sheep and yes you can mix it with other records. it just doesnt sound the same as all the other ones. you dont have to be into dubstep and grime to like these beats. its techno stupid.you get me featuring the mighty ben hudson aka rylen as the slimer they both spent a week eating crisps and grilled bacon to get this salty

the producer behind these mind-blowing slabs of heavyweight disco-funk perfection was one jp source, an exile from the geordie ibiza (that will be blackpool) and geordie mecca (erm, newcastle) now living out in the sticks in the states, far from home. the eps title, >get your bearings<, is reference to his struggles to come to terms with his new surroundings.
three tracks, all tried and tested, all disco dynamite. since he sent us these killer edits, jp source has begun to pick up interest elsewhere. he recently released an excellent ep of original material on audio parallax and has material forthcoming on edit, zzr and art star records. we reckon he has got a big future. all the more reason to >get your bearings< and dive into his bedmo disco debut…

producer and singer cooly g returns after a lengthy release hiatus with a new single for hyperdub that is a taste of her seriously good forthcoming debut album >playing me<, due early next year.
these two tracks are especially chosen for their dancefloor power and suitability, but showcase how her singular style has developed into something truly special.

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

a shiny picture disco for slow motion records release number 7 - disco wizard by francisco from jolly music. beamed from distant satellites via 1983 and picked up by a crack team of berlin based italian disco commandoes, the disco wizard brings to mind space, the tougher end of pre-84 italo, guys with beards and grace jones and amanda lear dancing the night away. a nagging baseline propels the track forward with alternating male and female vocals that coo and tease, whilst twinkling refrain evokes the giogio morders classic >the chase<. on the flip side the dub mix strips away most of the vocals and injects some serious strut into the beats. the rougher, tougher cousin of the original to send the boys and girls wild with cosmic desire. you have been warned.

the new record is a huge step forward for dynooo, turning the strewn about 25-to-75-second bits and pieces of grooved out electronics on sim city into full-fledged jams. tip! the new record is way more dance-oriented, showing off his affinity for bangers on pounding opener tropical thighs. dude gets a bit darker on northwest noir before diving into raver territory with huge apple. fellow belgian cupp cave makes an appearance this time around, jacking up the perspiration with his remix of espirit sweat. 250 copies limited

limited series is back with an explosive duo! pheek do his first appearance on sic joining hubble into the eebb project.already a master piece.

first available (full stock) on decks.de !! turkey based ugur project is back with an outing on polluted records. following his success in music production and remixes he is pushing us through the house music boundaries, with four new original titles on esta si esta imprint. the sound choice on the track esta si esta follows through a nostalgic old skool house as it magically transforms into todays deep and chunky style. drop down house bliss, which will be later followed by a remix on digital by sossa, always on polluted records. the use of techno drum kit on the track magic drops fused with vocal snippets and synthesized voice over conversations is a journey into the future sound of tech house whilst on the track quadriga the rolling congas and base line are impeccable as a groove. the last track sudden music does just that, as suddenly a solid grove and synth pads becomes the explosion that rocks the body of all house music junkies.

romulo del castillo and joshua kay are phoenecia and they emerge from their long march into the aural wilderness of miami with good man bones ep, five new sonic tapestries heavy with rhythm and rich in visual detail. screen print colors with hot green/brown vinyl. this mini lp serves up an offering of selections from the full-length demissions - both made available through a unique collaboration between detroit underground and schematic. limited press.

4 tracks of deep soulful house/techno.. more excellence, slightly harder/more jacking than previous outings but still covers a broad remit of house/techno over 4 tracks. darling farah returns with his second ep of 2011. entitled >division<, the detroit-born producer offers four tracks that journey further into deep house, techno and machine-soul. the ep grabs you from the offset, while dream-like qualities wash over the listener they contrast perfectly with an offbeat, energetic 4/4 backbone. division will undoubtedly solidify the hype around its precociously talented 19 year old producer and add more critical acclaim to that already received from his previous releases, >berline< and >exxy<.
including code for digital download of this releas.

uk meets us meets de sounds from ghostleigh. for his 11th release, we see the man delve deeper into us house territory, both tracks feature the same rich analogue production that instantly jumps out of the speakers. this will instantly appeal to fans of joy orbison and deadboy as it will fans of maw, workshop etc.

having played host to the first two daphni edits 12 inches, resista return with the label debut of one tom croose.
one half of ny duo worst friends, toms previous discographic output was a limited & stamped 7 inch that featured a killer edit of the macs >never going back again<. for resista no. 3 he delves into territories brazilian, with >cho chua<, a faultless rework of a certain tropicalista, designed for discerning dancefloors, circa ad 2011. he loops up the swinging guitar intro, which combined with the vocal hook makes for a heady mix. its an uplifting, joyous ode to all things tropical!
on the flip the >dukes dub< is a subtler more restrained version that makes greater use of effects and surprisingly brings the songs percussive elements to the fore... not quite as direct as its sibling on the a-side but definitely as effective!

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

crosstown rebels retain their untouchable high standard as they divulge into the blissfully advanced musical world of dinky. the > sealed ep< is a two-track treasure through driving deep house and effortlessly smooth techno, embodying that special touch only dinky can deliver.

full flavor music returns to close out 2011 with the mighty compilawax sampler. featured on this various artists compilation are four of the best digital selling tunes the label has previously released.

he has been called the baron of the beats, a knight of life, the life of the night, or even occasionally plain mike gamwell, to you and i though, he is only knightlife.
he is cutters records secret weapon and he is back with the 3rd tome in his royal club catalogue, serves you right / otherway.
the new 12 inch follows on from knightlife i (2007) and knightlife ii (2009), funnily enough, both promising quests into the future of dance with a healthy respect of the past from the melbourne-based producer. with a string of distinguished remixes in between times, serves you right / otherway again sees gamwell forge onwards and upwards, adding yet more strings to his accomplished bow.

bonaparte, der rock n roll-zirkus mit dem wahnwitzigen pferd und den geschichten aus tausend und einer clubnacht.
nach fast sechs jahren dauertournee von neuseeland bis seeneuland genehmigt sich die partydiktatur bonaparte gerade eine auszeit, um nach den diamantenen erfolgsalben *too much* und *my horse likes you* in den neuen kaiserlichen goldgräberstudios das dritte album zu erfinden. man munkelt, der kaiser soll im studio höchstpersönlich seine peitsche swingen!
damit bonaparte-fans über den winter kein trübsal blasen müssen, gibt es nun *0110111 - quantum physics & a horseshoe* - den größte bonaparte-livemitschnitt aller zeiten! erleben sie also alle bonaparte smash-hits in live, von *anti anti* bis *gigolo vagabundo*, von *computer in love* bis *rave rave rave*, und lassen sie sich entführen in die magische welt der fan-tasie!

after 18 months of intense work in the studio shades of gray are finally ready to release their debut album >soul machine<. the duo have progressively established themselves over the years by releasing consistently solid tracks for labels such as neurotraxx deluxe, salted music, om records, dark energy, tronicsoul and of course their home label beef records. the album is a definite progression for sog, heading deeper into the sampling territory and drawing on whats come before to define their vision of the future sound of house music. reinterpreting influences from soul to disco through the sharpened lens of 2012 production, sog have delivered a stunning collection of tunes that have that instant classic feel that will remain relevant for years to come. this vinyl sampler features the title track soul machine with a deep interpretation by eric volta aka kid dub. on the flip side we have a party monster called back to the future with a huge disco/tech remix by peter horrevorts who has been doing really well lately with his releases on trapez, tronic and beef - special transparent vinyl pressing!

yeah, coming through the nyc pipeline via plan b recordings, murphy continues to materialize tunes straight from dreams into realities with a 4 track ep of acid, deep house, and ambient tunes that signifies samples from his inner music self. listen to murphys unconscious moments rising to the top of himself, straight from the underground for the underground.

summer has ended and its time to get back into the clubs, dark basements and old factory buildings. audio assault is proud to release another belter by one of the labels finest producers. go hiyama delivers a stunning two-tracker which has all the proper hiyama elements in it. over the last years hiyama has managed to reinvent himself without losing his typical rough sound.

after a big release from sweet n candy, amazing records continue their roll with a superb 2 year of amazing records sampler. a compilation more than a standard release, the music is supplied by mihalis safras, toni rios & andre walter, marko nastic, m.in & jonas, luigi madonna, simone tavazzi, sweet n candy, maurizio vitiello, matthew hoag, marka t, luca morris, mauro alpha & dalbe, mladen tomic, alberto pascual and a track from the label heads minicoolboyz!
to help our djs, we have split the compilation into two parts, the first one more tech house and the second one more techno. enjoy!

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.

abraham cowley is in fact the name for a new house project from simon brown, better known as the dexorcist, plunging deep into a dark, synth and bass-driven retro detroit influenced house vibe.

! its awesome, its fresh, its bold, its jazz. dont blame us for not releasing this into the digital world but on vinyl only. this is a music-lover release! it comes strictly limited to 300 numbered pieces and is calculated as a break-even affair. so just be glad if you were lucky to catch one, play and make the crowd smile! yours sincerely its-jazz-project.

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

here comes the second part of french team lowkey & kardinals electrovino series!
the first part is nicely rockin the floors around the globe and found its way into many cases (or better said file-lists) of many djs from small to big! the second part follows the path with another rocker called oroborus (the name taken from an ancient greek tale of a dragon eating his own tail !) with a kind of tech-housy but techno bangin feel to it, bringing back the old casio organ sound. followed by two versions of indian summer, one in its more smoother original version and the second in a very nice prime time techno version by kardinal himself!

taking us deeper into the night are the four remixes: london veteran seiji fuses house and garage for a 6 minute roller, dfas juan maclean delves into his deep house roots with his new peach melba project, london duo compound one pay homage to gabriels uk garage roots with sweet old school 2 step and hyperdubs ossie turns in a decidedly trippy uk funky hybrid.

joe goddard is surely one of the busiest men in the world of electronic music: writer and producer behind the world-conquering hot chip, acclaimed solo artist, travelsome dj, prolific remixer, one half of the emerging 2 bears house duo and one of the founding members of the greco-roman record label and party collective. goddards first solo material in 18 months should open with a chorus of angels, before title track >gabriel< strides confidently into familiar territory of londons clubland and its rich musical influences, this time goddard choosing gospel and house as his parameters to create a bone fide underground radio and club hit which currently sits on the bbc radio 1 playlist.

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

another member makes it to the family: deejay ozka
david nizet has been around in the belgian underground techno scene for ages, we mean early nineties. he was part of the 6th sense collective during the mid 90s with releases on dave angels rotation and the legendary belgian label re-load records. despite a detroitish nostalgic touch in his productions, small modern minimalist influences gently creep in to all his tracks to turn them into brilliant pieces of never outdated, or should we say evergreen, techno.
with past releases on aesthetik, mowar, labrynth and played by marcel fengler, markus suckut, matt o brien, jamie behan, .. (the list is too long actually), he is definitely up there with the big ones.

during a time when its more fashionable then ever to sample kenny dixon, >alright< uses a small and respectable vocal splice that references ferguson himself, marvin belton, & ferrispark records. heavy bass and beats eventually mutate into a smooth late-night house jam. side b laced with chatter, cheers, and claps resonates a >block party< feeling accompanied by chords, strings, sub-bass, and disco loops. enjoy! party people

heralding the birth of the first leleka is a limited edition, hand stamped, two-tone vinyl release from the labels owner vakula from konotop, whos name is widespread due to the success of releases on firecracker, and recently shevchenko (white labels with prints of ukrainian literary celebrities such as gogol, lesya ukrainka & shevchenko himself). these are an ideally captured ukrainian landscape of change, struggle, nature and art slightly embellished by industrial design of the 50s. and this is what the leleka label is all about, its musical concept reflects vakulas love of folk and live music, where passions and melodies play leading roles. this debut release contains six vintage tracks from vakula, almost serving as a prologue to his recent epic output. the meeting of imported soul, exploitation movies and detroit techno, with ukrainian folk melodies and soviet electronics, offers a glimpse into vakulas way of working, and gives us a taste of things to come

nice price deal !!! wt records takes another expected turn by releasing a mini lp of new wave tracks from momentform. the first and most dj-able track, >momentform is fake<, spans the gap between new wave and house with 707 rhythmic patterns and raw, unedited bass lines. >selected works<, arguably the hit song on the lp, with its melancholic vocals and juno arpeggio has a way of finding its way into your brain and staying there. 6 tracks of excellent melodies and melancholy angst make this a great record for listening from start to finish.

radioactive orchestra is an attempt to interpret gamma radiation, which has its origin in the nuclei of atoms, and translate it into sounds and music. gamma radiation consists of photons and is, in essence, the same kind of radiation as light and radio waves - electromagnetic radiation - but with a very high energy level. in collaboration with nuclear physicists bo cederwall and torbjörn bäck, music producer axel boman and media artist kristofer hagbard have created musical algorithms based on the scientists models of how radiation is emitted from various isotopes. the resulting output of melodies and sounds have been arranged into the following musical experiments. limited to 200 copies!

titan’s halo records presents alpha beta gamma remixes, an e.p that includes two reworks of the labels third reference by duo brain machine made by irish producer boxcutter and the bulgarian beatmakers 1000names.
the result is a special 10 inch record that will help the cross-pollination of genres as it throws the original track into the sweet sensations of deeper cosmos while it nods some heads and knocks minds.
this 10 inch artwork has been crafted by titans halos designer pablo sanz, while the mastering process was engineered at eternal midnight studios by xergio cordoba.

state of the art work on the dusty binding between house, techno, dubstep and analogue processing.
on side a: a dancefloor smasher with solid 808 beats and absorbing newyorkian piano hooks, followed by a touching acidic inner voyage into motor city sweetest reminiscences.
on side b, a proper piece of functional minimalism and a soulful uptempo excursion into the garage territories. the heat of magnetic recording, the funkyness of the machines, the driving force of the human feeling.

the second in the sold out series combines the powers of three of the hottest producers in the disco game right now. heading up the field is toomy disco with a monster of a track. deep, hypnotic and swirling >into the flashlights< hits you right in the chest, a certified dancefloor bomb, make no mistake. on the flip, remixer and producer de jour mario basanov reworks a lesser know stevie wonder track into a towering disco gem! soaring pads elevate the track to dizzy heights before its dropped back down into the groove to great effect. finally sean roman pulls apart, loops up and glues back together a boogie banger in the vein of tiger & woods. all in all a damn useful 12 inch

diynamic is back to release its 053 ep. this time its a classic 4 tracker showcasing some of the finest young talents in house music. after their hit single ‘deep in the three’ on 2diy4, adriatique and thyladomid are back making their debut on mother label diynamic. ‘the l way’ is combining a emotive vocal line with warm pads and a driving bass, for a fresh yet deep sound. „touch me“ from italians newcomer hunter_game is a very deep and sexy track with nice vocals and very smooth hypnotic sounds. on b1 the two romanians ntfo make their second appearance on diynamic. ‘feelings’ is a housejam of highest calibre. with chunky bass stabs, funky-muted guitar sounds and a crispy hookline this song is made to make you shake. ‘smiling faces’ by london-duo app shines with its laid-back groove and its trippy vocals. the breakdown unfolds into a new wide dimension before coming back with a strong groove. quality time is guaranteed.

produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. fall is knocking at the door. dancers bathe into the red sunsets hoping to squeeze the very last drop out of summers bliss. they know theyll soon have to haul their tropicana scented butt to reality… but in the meantime they gaze upon those last three months of love and dreams. half stunned, they let their mind wander across the meanders of the promising days to come. time has stopped. the beat keeps on rolling, and those words swirl and resonate in your head: >pony loves the sun, to touch her back and see her run…< in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required…just shake that ass!

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago